Clarinettist John Cushing, who retired after a 35-year stint as principal clarinet of the Royal Scottish National Orchestra last year, has been awarded the 2014 RPS/ABO Salomon Prize. The prize celebrates the outstanding contribution of British orchestral players to the UK’s musical life.
British composer Christian Mason is one of three winners of the €35,000 (£25,600) composers’ prize of the Ernst von Siemens Music Foundation, announced today. The other two winners are Berlin-based American Mark Barden and German Birke Bertelsmeier.
Derby-based Sinfonia Viva has been awarded a £179,585 grant from Arts Council England towards the £211,000 cost of buying an inflatable stage and auditorium to seat up to 250 people. The stage and auditorium are ‘inflatable, highly portable and can be erected in a short space of time by just two or three people’.
The BBC Cardiff Singer of the World competition has announced the 20-strong list of singers who will comepete for the title at this year’s event, which will be held from 14 to 21 June. They stretch from the home-grown, in Welsh soprano Céline Forrest, to the far flung, with entrants from Mongolia, South Korea and South Africa.
The Philharmonia Orchestra has signed a five-year, £500,000 sponsorship deal with Chinese alcoholic beverage producer Wuliangye, which specialises in producing Baijiu, a high-strength, grain-based spirit. Wuliangye's chairman said of the deal: 'We hope the sponsorship will inspire people to enjoy the harmonious balance of drinking fabulous alcohol while listening to world-class classical music.'
The Barbican Centre is to lead a feasibility study into developing a ‘world class concert hall for London’ as part of chancellor George Osborne and London mayor Boris Johnson’s ‘long term economic plan for London’. The aim of a new hall would be ‘to help attract the world’s best musicians and orchestras to the capital and protect London’s status as the home of classical music’.
Ginny Cooper has joined Proper Note Distribution as classical label manager, moving from her previous role as UK sales and marketing manager at New Arts International (NAI). She will take with her several labels including Gala, MDG and Australian Eloquence.
As the new financial year approaches, several local authorities have revealed plans which involve significant reductions in spending on music provision. These include councils in Bromley and Wiltshire.
Hungarian composer György Kurtág has been awarded a €400,000 (£296,647) BBVA Foundation Frontiers of Knowledge Award for a body of work of ‘rare expressive intensity’. Kurtág is the sixth laureate of the composer award, whose previous winners are Steve Reich, Pierre Boulez, Salvatore Sciarrino, Helmut Lachenmann, and Cristóbal Halffter.
Composer Edward Nesbit has won Britten Sinfonia’s Opus 2015 competition, open to composers without attachment to a publisher. The Britten Sinfonia’s chief executive, David Butcher, has suggested that there are not enough opportunities to hear the work of such composers.
Alan Gilbert is to leave the New York Philharmonic in 2017, after eight seasons as music director of the orchestra. The timing is in part dictated by the conductor’s desire for a successor to be in place to oversee a major renovation of the orchestra’s Avery Fisher Hall from 2019, said a statement released by the orchestra.
On 28 January 2014 the London Mozart Players released its first statement suggesting that a drastic change was being undergone. It simply announced that managing director Simon Funnell was to leave the orchestra, saying: ‘The London Mozart Players has a major funding problem that has necessitated a re-evaluation of the way in which the management of the orchestra operates.’ But rather than become a victim of arts cuts, the statement said, LMP was to become player-run.
The Ulster Orchestra appears to be close to securing both its immediate and longer term futures. If it survives this, that is in spite of its strategic direction in recent years rather than because of it.
In the two minutes it takes to read this column, the UK’s Creative Industries have pumped another £292,000 into the economy. That’s a staggering £8.8m an hour. Who has come up with these extravagant claims, you ask. It sounds like some cranky arts lobby getting its argument together for the next spending round. But no, these are government figures, fresh from Creative Industries Economic Estimates - January 2015.
Brett Dean's The Last Days of Socrates is a roughly hour-long piece for orchestra and double chorus with eponymous baritone soloist: John Tomlinson will sing the role at the work's UK premiere on 13 February. Elsewhere: wolf songs, love songs and a 50-year-lost march.
English National Opera has confirmed the departure of executive director Henriette Götz a week after the chairman of ENO’s board, Martyn Rose, also said he was to leave. Reports suggest that both the board and senior executive have been seriously fractured at a time when the company is attempting to introduce a new business model, following a seismic drop in its funding from Arts Council England.
The outgoing chairman of English National Opera, Martyn Rose, has called ENO’s direction under artistic director John Berry ‘wholly unsustainable’ in a letter sent to Sir Vernon Ellis, ENO’s president. ENO has denied several points in the letter and denied accounts that Berry and executive director Henriette Götz are not talking.
The Southbank Centre and its four resident ensembles, the London Philharmonic Orchestra, Philharmonia Orchestra, London Sinfonietta and Orchestra of the Age of Enlightenment, have announced their 2015/16 seasons. With the Purcell Room, Queen Elizabeth Hall and other spaces in the Southbank’s Festival Wing becoming unavailable for up to two years from September for a £24m repair and maintenance project, many events will take place at St John’s, Smith Square.
The chairman of English National Opera, Martyn Rose, will step down from his position on 15 February, reportedly because he believes that a full-time commitment is required to guide the organisation through its £5m drop in Arts Council England funding.
At around 10.30pm on 8 January, more than 150 musicians gathered in London’s Trafalgar Square where they held a minute’s silence and gave a performance of Barber’s Adagio for Strings as part of worldwide tributes after the shooting of 12 people at the Paris office of the satirical magazine Charlie Hebdo.
The Labour party is suffering a sustained backlash from the arts community after its official Twitter account denied Conservative claims that it would reverse cuts to Arts Council England’s budget. In fact, Labour says, it would continue with the planned £83m reduction in grant-in-aid to ACE from the 2015/16 financial year.
Magnus Lindberg's piece for soprano and orchestra, based on three texts, each a transcript from acts of state interrogation through history, was commissioned by the LPO and written for Barbara Hannigan. Plus Edward Gregson on finding the confidence to write his first string quartet, and listings for new music across the country.
A year of management change in the UK’s classical music industry has been bookended by the awarding of CBEs to Roger Wright and outgoing Arts Council England chief executive Alan Davey. Jude Kelly, artistic director of the Southbank Centre, has also been made CBE, as has opera director Richard Jones.
Dame Fanny Waterman has announced she will retire as chairman and artistic director of the Leeds Piano Competition after the 2015 event, when she will be 95. She has also said that there has been a decline in the number of talented British pianists of the quality to compete at the event.
When the news came through of Darren Henley’s appointment as chief executive of Arts Council England, cries of ‘of course’ could be heard across the country. The Conservative-led coalition now has its own appointees in place as ACE’s chair and chief executive. What can we expect?
Spitalfields Music chief executive Abigail Pogson is to become managing director of Sage Gateshead in May, taking over from Anthony Sargent. 'It was always going to be something pretty special to tempt me away from East London and Sage Gateshead is very special indeed.'
Geoffrey Baker, author of El Sistema: Orchestrating Venezuela’s Youth, has responded to allegations by author Tricia Tunstall that the work has ‘the feel of a vendetta’ by calling Tunstall ‘a professional Sistema advocate’.
Sir Peter Bazalgette has outlined a new approach to diversity which will see arts organisations required ‘to shape their artistic programme to better reflect the communities they serve’ or risk sanctions in future funding settlements.
Sam Hayden’s catalogue includes works for a huge variety of forces, from solo works to pieces for large orchestra and frequently making use of electronics. Transience is his first string quartet, however. Plus: Joanna Lee's children's opera for ENO and listings of December's premieres.
Belfast City Council has offered a conditional £100,000 to the troubled Ulster Orchestra, which remains some distance from securing the £500,000 rescue package which it says will prevent its closure next year. At the same time, arts funding across Northern Ireland is under threat of significant cuts.
The mayor of London, Boris Johnson, has launched the ‘London Music Pledge’, which sets out several actions which the Greater London Authority will take to improve music education in the capital. At the same time it presents five sets of ten suggested pledges to be undertaken by headteachers, teachers, music education hubs, musicians, and parents.
The Incorporated Society of Musicians has released initial details of ‘Make Music Work’, a day-long event for composers and performers who are establishing their careers in the music industry which will be held at Milton Court, London on 31 March.
The Association of British Orchestras has produced a video to promote the work of the UK’s orchestras across the arts and entertainment industries. It accompanies a new report which advocates for UK orchestras' sustained public funding as a key part of the nation's large creative economy.
Dickon Stainer has been appointed president and chief executive of global classics at Universal Music Group, with overall responsibility for all of UMG’s classical output including Deutsche Grammophon, Decca, and Sinfini Music.
The City of Birmingham Symphony Orchestra is to perform in Abu Dhabi in the United Arab Emirates for the first time next month, with concerts on 15 and 16 December. Chief executive Stephen Maddock said the orchestra was ‘thrilled’ with the engagements, and hoped that more would follow.
Parliament’s Culture, Media and Sport Committee has published a report which states that ACE must fund more work outside London if it is to meet its declared aims. It also criticises ministers for failing to advocate for cultural spending by local governments. ACE broadly welcomed the findings.
Comedian Jack Dee will narrate Prokofiev’s Peter and the Wolf at the Mozart Symphony Orchestra’s two festive concerts at Cadogan Hall, London on 22 December. The concert will also include a screening of The Snowman, with chorister Jack Topping singing Walking in the Air.
Two works by James Dillon, composer-in-residence at the Huddersfield Contemporary Music Festival, Jonathan Dove's ‘cantata of remembrance’ For an Unknown Soldier, plus further premieres including several at the fifth London Festival of American Music, curated by Odaline de la Martinez and including part two of her Slavery Opera Trilogy The Crossing.
Wimbledon International Music Festival runs 8-23 November, with the centrepiece of this year’s ‘War and Peace’-themed events being a production of Stravinsky’s The Soldier’s Tale in two performances on 9 November.
The 2014 British Composer Awards have been announced, with two nominations each for Kerry Andrew, Harrison Birtwistle and John McCabe, and nine composers shortlisted for the first time. Of this year’s 35 nominated works, 11 were written by women and 24 by men.
The UK Critics’ Circle has announced its music awards for 2014, with composer George Benjamin named outstanding musician for his well-received opera Written on Skin. Awards for ‘exceptional young talent in music’ were also made, to soprano Mary Bevan, composer Charlotte Bray and pianist Igor Levit.
A statement released by the Ulster Orchestra acknowledges the precarious situation of its finances and suggests that, if it does survive, its future will be ‘not as we have come to know it over the last 50 years’.
Alpesh Chauhan has been appointed assistant conductor of the City of Birmingham Symphony Orchestra, a newly created role, until July 2015. Chauhan was the CBSO’s first conducting fellow when he was appointed in December 2013.
The City Music Foundation has announced the three soloists and three chamber ensembles which it will support through mentoring, professional development and performance opportunities as part of its 2014 classical artists programme.
Jonathan Rathbone’s Under the shadow of his wing, commissioned by the Vasari Singers and its director, Jeremy Backhouse, was conceived as ‘a live aural experience ‒ something between a concert and a service’.
The Band of Her Majesty’s Royal Marines will play a newly composed soundtrack at the Queen Elizabeth Hall on 16 October to celebrate the restoration of an 87-year-old documentary, painstakingly restored by film historians to mark the centenary of the two naval battles it chronicles.
Following a protracted dispute with the skating community over plans for the £100m-plus ‘Festival Wing’ redevelopment, the Southbank Centre has agreed not to give over the QEH’s undercroft for retail development and to continue to allow the space to be used in its current form.
New NGAs for 2014-16 will be German baritone Benjamin Appl, British French horn player Alec Frank-Gemmill, Armenian cellist Narek Hakhnazaryan, Russian pianist Pavel Kolesnikov, American-Belgian violinist Esther Yoo, and German chamber group Armida Quartet.
Conductor Han-Na Chang has resigned from her position as music director of the Qatar Philharmonic Orchestra the day after the orchestra’s Proms debut, citing ‘persistent administrative difficulties and irreconcilable artistic differences with the management’.
Composer Julian Anderson has joined Schott Music from Faber Music, the first signing under Schott’s new London creative director Sam Rigby. ‘The catalogue contains many composers whose music I love such as Zimmermann, Ligeti and Henze and I admire the firm’s strong commitment to the promotion of contemporary music on an international scale,' said Anderson.
When the BBC Singers commissioned Kevin Volans to write a piece in celebration of the choir’s 90th anniversary, the phrase which discussions centred on stipulated using the voices in a ‘new symphonic way’.
Help Musicians UK has published the results of its health and wellbeing survey: 66% of respondents had suffered performance anxiety, 60% 'depression or other psychological issues', and 73% 'money problems'.
Sound and Music's survey suggests that composers are producing more for less money, while also having to find other means of generating a significant income. The findings present the sector with 'some hard questions to ask ourselves', says chief exec Susanna Eastburn
As composer-in-residence at this year’s Presteigne Festival, Stephen McNeff is looking forward to hearing a number of his previous works being performed by different performers, as well as the premiere of his new concerto for oboe and string orchestra.
The Department for Education has announced that central funding for the network of 123 music education hubs in England will be more than £75m in 2015/16, described as ‘an £18m funding boost’ by education minister Nick Gibb. Darren Henley, whose review of England’s music education led to the National Plan for Music Education, said the announcement was ‘great news’.
Judith Weir has been confirmed as the next Master of the Queen’s Music, a fixed term, 10-year role which she takes up today from Sir Peter Maxwell Davies. ‘I hope to encourage everyone in the UK who sings, plays or writes music, and to hear as many of them as possible in action over the next 10 years,’ she said.
Rod Franks, third trumpet of the London Symphony Orchestra and principal for more than two decades, died in a car crash on the A1 in Nottinghamshire on the evening of 20 July. 'Rod will be missed for his ever-welcoming friendliness and brilliant playing' said the orchestra.
Inspired by her favourite piece, one for which Nigel Kennedy has become world-famous, artist Dora Holzhandler has painted Kennedy ‘at work in all four seasons’. The portraits will be on show at the Goldmark Gallery in Uppingham, Rutland, from 13 September to 5 October.
American conductor Lorin Maazel has died at the age of 84 from ‘complications following pneumonia’, said a statement released on 13 July by the Castleton Festival, the festival he founded in 2009 with his wife Dietlinde.
Violinist Nicola Benedetti has been awarded Making Music’s Sir Charles Groves Prize, made annually to an individual or organisation for making an outstanding contribution to the musical life of the UK.
Several music organisations are among 99 of Arts Council England’s National Portfolio Organisations whose entire 2015-18 funding award will originate from the National Lottery. The funding arrangements represent ACE’s latest interpretation of the principle of additionality.
Classical music institutions have appeared to emerge unscathed in today’s funding announcement by Arts Council England. In most cases, changes to ACE grants will be felt evenly, with a major exception in ENO, which is willingly submitting to a major overhaul in its business model and a real-terms grant cut of one-third.
English National Opera is the single biggest victim of cuts in Arts Council England’s funding arrangements for 2015-18. The company will suffer a real-terms cut of around one-third, but had already acknowledged the need to radically alter its business model.
Arts Council England will announce its National Portfolio Organisations for 2015-18 on 1 July, with National Lottery funding being used for the first time to bolster ACE’s grant-in-aid funding of portfolio institutions.
The $45m (£27m) anticipated minimum price for the 1719 ‘Macdonald’ Stradivarius viola has not been met, auctioneer Sotheby’s has confirmed. ‘We do anticipate that the “Macdonald” will be pursued and that further offers closer to $45 million will be made.’
Michael Elliott, currently chief executive of the Royal Scottish National Orchestra, has been appointed chief executive of ABRSM. He will take over the role from the retiring Leslie East in January 2015.
Tom Morris, director of the Bristol Proms, has spoken of audiences ‘self-regulating’, after a ‘very over-excited’ academic was physically ejected during a performance at last year’s inaugural festival. The academic had contributed a visual display to a Nicola Benedetti concert the evening before and will again be contributing visuals to an event at this year's festival.
Pianist András Schiff received a knighthood, and soprano Susan Bullock and ENO artistic director John Berry received CBEs. Boosey & Hawkes managing director Janis Susskind received an OBE, describing the honour as ‘a bolt from the blue’.
Lancashire Sinfonietta, the professional chamber orchestra which was ensemble in residence at Lancaster University, has become the latest casualty of local authority budget cuts. ‘In particular it will be a huge loss to the schools, families and children who are increasingly denied exposure to music by the erosion of government support for the arts,' said a statement.
Musicians continue to come out in support of music education as the Protect Music Education campaign, led by the Incorporated Society of Musicians, attempts to rally support before a consultation deadline later this month.
The London Symphony Orchestra has appointed 18-year-old Peter Moore as co-principal trombone, the orchestra’s youngest ever member. Belfast-born Moore was also the youngest ever winner of the BBC Young Musician competition.
The Southbank Centre has announced a £24m scheme to repair and maintain the Queen Elizabeth Hall, Purcell Room and Hayward Gallery, backed by a £16.7m grant from Arts Council England. However, the idea of a Festival Wing has not been abandoned by Southbank management.
Sir John Tomlinson has been named as the latest recipient of the Royal Philharmonic Society’s Gold Medal, the society’s highest honour. It has also been announced that the bass is to take up an international chair in singing at the Royal Northern College of Music
Trombonist, composer and conductor Christian Lindberg will lead the Västerås Sinfonietta in its UK debut performance at Cadogan Hall on 17 May, in a concert featuring the UK premiere of Lindberg’s clarinet concerto, The Erratic Dreams of Mr Grönstedt, and Andrea Tarrodi's Lucioles.
A consultation document on local education funding shows that central government expects local government to cease funding music in English schools from 2016. There is also little certainty over levels of music education funding after the current financial year.
The Ukranian conductor on transcribing CPE Bach's 1784 Johannes Passion, which he conducts this month in performances in London (16) April and Bournemouth (18 April). Karabits describes the political situation in his native Ukraine as 'absolutely overwhelming'.
Choirs from Estonia, Spain, Poland, the US, Sweden, Ireland and the UK will compete in the competition, which was conceived as a 70th birthday tribute to Sir John Tavener and will now be held in his memory.
John O'Kane is a permanent replacement for Séamus Crimmins, who retired in July 2013. He arrives from a senior management position at Ireland's Arts Council to take responsibility for the RTÉ National Symphony Orchestra and RTÉ Concert Orchestra, RTÉ Philharmonic Choir and RTÉ Cor na nÓg, and ConTempo Quartet
The BBC’s director-general, Tony Hall, today announced a new strategy for the BBC’s arts and music programming, with a new emphasis on collaboration both within the BBC and with national institutions and artists.
Roger Wright, controller of Radio 3 and director of the BBC Proms, is to leave the BBC at the beginning of this year’s Proms season to become chief executive of Aldeburgh Music from September. The BBC said that recruitment for the posts would begin ‘in due course’.
The Royal Marines Corps of Drums is to launch a world record attempt to make the longest group drum roll, with preparations currently underway for six teams to undertake an ambitious 64-hour drum roll from 30 April.
The Foundling Museum in London has opened a new temporary exhibition examining Handel’s music for royal occasions. Handel was a governor of the Foundling Hospital, which works today as the children’s charity Coram.
Croydon-based chamber orchestra the London Mozart Players has announced details of what will become its new structure after its current managing director, Simon Funnell, leaves at the end of next month as the result of ‘a major funding problem’.
Wright: ‘We do not chase ratings, but I am delighted that the station has experienced recent growth in its distinctiveness and audience appreciation figures and remains a vital part of the UK’s cultural landscape.’
Southbank Centre management are to conduct a final search for money from the public sector in an attempt 'to keep the Festival Wing redevelopment scheme alive', after London mayor Boris Johnson put his weight behind the skaters currently using the undercroft of the Queen Elizabeth Hall.
Gardner is to leave after the 2014-15 season to take up the post of chief conductor at the Bergen Philharmonic Orchestra, an appointment which was announced in February 2013 ‒ although at the time it was said that he would be continuing in his role at ENO.
One of the most respected figures in classical music, Claudio Abbado found early success and remained at the top of the industry for the rest of his life, holding prestigious positions in Berlin, Vienna and London. He also did much to encourage young musicians.
Venezuelan prizewinner and product of El Sistema will take over from JoAnn Falletta in September 2014. Further details will be released in March of 'plans to introduce the El Sistema programme to Northern Ireland'.
The Culture, Media and Sport select committee of the House of Commons is to conduct an inquiry into the work of Arts Council England. The inquiry will look across the organisation’s scale, scope and remit, as well as the current weighting of its funding towards arts organisations in London.
Listings website Bachtrack.com has published an analysis of its data from the last year’s classical performances. It shows a surge in popularity for Britten, Valery Gergiev as the busiest conductor in the world, and a shocking paucity of women composers and conductors.
Baritone Sir Thomas Allen has been awarded The Queen’s Medal for Music 2013. The medal has been given since 2005 to ‘an outstanding individual or group of musicians who have had a major influence on the musical life of the nation’.
The Arts Council of Northern Ireland and Derry City Council have launched a £900,000 legacy fund ‘to continue the cultural transformation of the city’ as its year as the first UK City of Culture comes to an end.
The London Sinfonietta’s New Music Show is back again this year at the Southbank Centre’s Queen Elizabeth Hall and Purcell Room (8 December). But not only there: the ‘Hidden’ series, for the second time, will present five new works for solo instruments in secret backstage locations.
In the four years since 2010/11, spending on ‘cultural and related services’ has been reduced by almost a quarter in real terms. Councils serving the most-deprived areas have borne the brunt of reductions in funding relative to spending.
Music education hubs have done little to improve the range in quality of music education across England, says a report released by Ofsted today, urging hub leaders to act more as ‘champions, leaders and expert partners’.
Orchestras Live’s 7 November conference on ‘Taking Music Further’, held at Kings Place in London, brought much evidence of good practice to the attention of its 100-plus delegates, as well as a number of wakeup calls over barriers to access and outsiders’ perception of classical music.
Gergiev: ‘It is wrong to suggest that I have ever supported anti-gay legislation and in all my work I have upheld equal rights for all people. I am an artist and have for over three decades worked with tens of thousands of people in dozens of countries from all walks of life'
Arts Council England and DCMS funding in 2012/13 was distributed in the ratio 15:1 per head of population between London and the rest of the country, says report. ACE has committed to address the issue in its next funding round.
Ryan Wigglesworth's Britten centenary commission: 'I think that for composers of my generation and those immediately before mine, we’re still too close to the Britten legacy to be able to have enough distance to approach it in an objective way.’
The Royal Philharmonic Orchestra has announced a new mobile app for Apple and Android smartphones which allows users to purchase tickets and earn points to contribute towards rewards when they buy tickets through the app.
Bob Chilcott’s prolific output ‒ his publisher Oxford University Press lists 266 works from a composer who went full-time only in 1997 ‒ has been taken to the hearts of choral singers across the world. As a new CD of Christmas music is released, he talks to Alex Stevens about his choral life
The pianist joins 11 other messengers of peace and one goodwill ambassador, who advocate on behalf of the United Nations and its projects across the world. Lang Lang has been designated in connection with secretary-general Ban Ki-moon’s Global Education First project.
Last month our Trojan horse popped open to reveal Lord Hall of Birkenhead wielding 20% arts increases at the BBC. Imagine that, conductors on merry-go-rounds, and plasticine jelly tots, says Alex Stevens
With a first prize of €20,000 and a diary of 34 engagements worth another €150,000, the winner of the 2015 Malko conducting competition will find the competition a transformative moment in his or her career.
BASCA has announced the 39-strong shortlist for its 2013 British Composer Awards, including nominations for George Benjamin's Written on Skin and Gerald Barry's The Importance of Being Earnest. The winners will be announced at Goldsmiths’ Hall on 3 December.
The 3rd Barbirolli International Oboe Festival and Competition will take place at the Erin Arts Centre, Isle of Man from 5-12 April 2014. The planned festival and competition in 2012 had been cancelled in 2011 due to ‘the loss of crucial grants’.
The culmination of JAM’s Writing for Music project, which has seen six composers and six poets working with six choirs in Oxford over the past year, will take place on 9 November with a concert at the University Church of St Mary, Oxford.
Both the Irish and Welsh arts sectors have been digesting news this week of funding cuts in 2014. The Arts Council of Wales is having its budget cut by 3%, while Ireland’s Department of Arts, Heritage and the Gaeltacht has announced a 7% cut to the budget it receives from the exchequer
The posts of head of music and deputy head of music at the Purcell School have been abolished in a restructuring of staff announced by the headmaster, David Thomas, and chair of governors, Sir Roger Jackling, just before the start of the autumn term.
BBC director general Tony Hall has made a commitment to the BBC's coverage of and support for the arts. ‘Arts programming sits right at the heart of the BBC and is a vital part of who we are ... but I want us to be much more ambitious.'
Three new pieces will be put to an audience ballot at the Bath Phil's season opener on 12 October, to decide which will be published by Schott. It is part of the Young Apollo festival, running throughout this weekend.
Composer James MacMillan has launched a brand new music festival for southern Scotland, with the aim of bringing together international artists and local community and schools groups. The Cumnock Tryst will take place in October 2014 in the East Ayrshire market town and former mining community of Cumnock, where MacMillan grew up and attended three local schools.
New York City Opera has announced it is to close and file for bankruptcy in its 70th anniversary year after failing to find the $7m (£4.3m) it needed to deliver its planned season for the year ahead. The company's ethos of making opera affordable to the city’s residents had earned it the nickname ‘The People’s Opera’.
‘I send my deepest thanks to everyone involved for what we have achieved together’ says a statement released by Vänskä’s management company. The conductor first threatened to resign in April this year during a still unresolved dispute over players' pay and conditions.
Scottish Opera has released a statement announcing that French conductor Emmanuel Joel-Hornak has withdrawn from the position of music director at the company, which he was due to have begun in August taking over from Francesco Corti.
The Metropolitan Opera’s season-opening production of Tchaikovsky’s Eugene Onegin on 23 September was disrupted briefly by a lone protester urging the house and its cast to take a public stand against Russia’s repression of homosexuals.
Following the success of last year’s Yamaha piano selection sessions initiative, the company will be running sessions at London's Southbank Centre on 11&12 October and at Liverpool’s St George’s Hall on 17&18 January 2014.
A new venue and new format for the Gramophone awards ceremony on 17 September has won general approval from the recording industry. However, some executives complained about the ceremony's move from the Dorchester Hotel to the less salubrious LSO St Luke's.
Sir John Eliot Gardiner is to be presented with the Critics’ Circle’s Outstanding Musician award for 2013, and awards for exceptional young talent have also been awarded to conductor Ryan Wigglesworth, countertenor Iestyn Davies and pianist Yevgeny Sudbin.
The first 11 graduates have been selected for the Arts Fundraising and Philanthropy Consortium’s new arts fundraising fellowship programme, which aims to ensure that the arts sector has the skills to 'get better at asking'.
Original plans for a treble soloist in Bernstein’s Chichester Psalms were abandoned due to legislation regulating performances by children, rules which the BBC described as 'completely outdated'. The countertenor was then called in from recording sessions as an emergency replacement.
Free to attend for those who register online, Music Education Expo 2014 will again feature more than 50 seminars, workshops and debates, 150 exhibitors showcasing their products and services, and countless networking opportunities.
The RFH’s 7,866-pipe organ has been unveiled, following a £2.3m restoration process funded by a £950,000 Heritage Lottery Fund grant and the successful Pull Out All the Stops public fundraising campaign.
Orchestra will continue with its planned eight-concert 2013/14 season under music director Barry Wordsworth. It was on course to be disbanded, said organisers, and had been forced ‘to rely on an injection of cash to guarantee its survival’.
‘We’ve just hit £40,000,’ said general manager Judith Clark. ‘I’m very hopeful and very heartened by what has happened in the last 48 hours.' Earlier this week the orchestra stated that it would not be able to present its 2013/14 season, or meet certain committed payments, unless it could raise £70,000 in ten days.
‘Over the last couple of seasons there has been a reduction in the number of legacies received, making it difficult to make up the shortfall from ticket sales and current levels of sponsorship and donations,’ said a statement.
The Guildhall School of Music and Drama has unveiled Martin Creed’s Work No. 1637: FEELINGS in the foyer of its new facilities at Milton Court. The artist said in a statement: ‘I don’t know how I feel’.
Machover follows up his Toronto Symphony ('the most collaborative work ever composed') with homage to Edinburgh: as he sees it, ‘a chamber music city for traffic noise’. Plus other highlights coming up in August and critical reaction to last month's new music.
Highlights of this year's seventh festival will include a re-imagining of Madame Butterfly by Michael Finissy, two new operas from Size Zero Opera and a contemporary refurbishment of Pergolesi's La serva padrona.
The childhood home of Ralph Vaughan Williams has been opened to the public by the National Trust for a trial season until 3 November. The house has not been restored and the NT is asking visitors to come ‘with an open mind’.
ACE chair Sir Peter Bazalgette gives vote of confidence to major organisations as Arts Council confirms it will make three-year commitment to next round of national portfolio organisations - even though ACE's own budget only goes to 2015/16.
The Department for Education today released details of the proposed new national curriculum from 2014. Following consultation it has added music technology and improvisation to what will be taught, with the musical canon remaining central to plans.
Campaign by undercroft users pushes Southbank Centre to try again 'to find the best way of balancing everyone's needs in demanding financial times so we can achieve this ambitious project'. The neighbouring National Theatre has also objected to the planning application.
The Farthest Shore, a new work by Paul Mealor commissioned by JAM (John Armitage Memorial) which premiered on 28 May at the St Davids Cathedral Festival will be performed on 2 July at St Bride’s, Fleet Street and on 6 July at St Leonard’s, Hythe alongside James MacMillan’s Cantos Sagrados and Britten’s Rejoice in the Lamb.
The Academy of Ancient Music will be resident ensemble at the National Gallery this summer, providing extensive accompaniment to the gallery’s exhibition Vermeer and Music: The Art of Love and Leisure.
The 20-minute piece for solo cello and chamber group was commissioned by its soloist David Cohen to be performed with the Rambert Orchestra, the orchestra of the Rambert Dance Company, at this year’s Spitalfields Summer Festival. Plus: June's premieres listings
Worcester International Festival for Young Singers (WIFYS) will see choirs from Belgium, Poland, Spain, the Czech Republic, Austria, Russia, Hong Kong, Germany, Lithuania and the UK giving concerts across the town and surrounding areas.
Lucy Powell, MP for Manchester Central, has become the first MP to publicly support calls for an inquiry. Widespread media coverage into the issue this week has included an in-depth report by Channel 4 News.
Six successful proposals stood out in latest HLF round ‘because of their strong focus on regeneration and importance to their local communities’. Aberdeen's Cowdray Hall is part of plans to redevelop the Aberdeen Art Gallery area awarded a £10m grant.
Sound and Music, London Sinfonietta, Café Oto and Huddersfield Contemporary Music Festival will run trials involving crowdfunding, mobile giving, online giving and cultivating mid-level donors, publishing the findings of a two-year project.
The National Centre for Early Music’s 2013 composers award has been won by Lilly Vadaneaux (aged 11) in the 18 years and under category, the youngest entry and youngest winner of the competition to date, and Joseph Howard (20) in the 19-25 years category.
Steve Lamacq and Tom Service unite for 6Music Prom in a concert featuring the London Sinfonietta and Laura Marling, while Urban Classic brings together the BBCSO and Laura Mvula, broadcast live on Radio 1 and 1Xtra.
London 2012 Festival proved a catalyst for high-quality classical music as a number of events are nominated, and three big-hitting composers, Birtwistle, Anderson and Barry, go head-to-head in the large-scale work category. But there is no place for The Space, the BBC and Arts Council England's multi-platform arts service.
Michael Tilson Thomas will conduct the Vienna Philharmonic with soloist Yefim Bronfman at the Royal Festival Hall on 9 April, and later this year will return for a series with Yo Yo Ma at the Barbican.
Seven new productions will appear on the main stage, and the Linbury theatre is established as dedicated home for 'new or very recent work'. At the press conference, Sir Antonio Pappano ticked off the press for its reaction to casting changes in 2012's Robert le Diable.
Decision is cruel, joyless and ideological, says Samuel West, chair of National Campaign for the Arts, as council members cite 'tough choices'. Streetwise Opera and ENO's community choir, both set up to work with vulnerable people, will see a current funding stream cut.
Executive director Leslie East has been appointed to succeed Perricone as chief executive and Lincoln Abbotts, who joined the ABRSM last year as teaching and learning development director, is to take up the newly created post of director of strategic development.
Van Cliburn, the American pianist, has died aged 78. He was awarded the US’s National Medal of Arts in 2010 and the Presidential Medal of Freedom in 2003, and was one of the world’s best-known performers of classical music.
Mark-Anthony Turnage's Speranza will be performed by the London Symphony Orchestra at the Barbican on 7 February, on the same night as the UK premiere of his cello concerto, with soloist Paul Watkins, by the RLPO in Liverpool. Plus February's premieres listings.
The Munich Philharmonic Orchestra has formally announced the appointment of Valery Gergiev as its principal conductor from 2015 ‒ while his current employer, the LSO, talks up the strength of its relationships with previous chief conductors.
LSO: 'We cannot comment on any other plans which Valery Gergiev may have. What is clear is that his relationship with the LSO is strong and it will sustain.' Gergiev is expected to become chief conductor of the Munich Philharmonic from 2015.
The Southbank Centre has announced its classical season for 2013/14, with highlights including Antonio Pappano’s Orchestra and Chorus of the Academy of Santa Cecilia, the first UK performance of Claudio Abbado’s Orchestra Mozart and the return of the Festival Hall’s newly refurbished organ
Jonathan Cohen founded Arcangelo in 2010, since when the group has released several well-received recordings, including the Gramophone award-winning Arias for Guadagni with countertenor Iestyn Davies. The founder of the fast-rising chamber ensemble tells Alex Stevens how it all came about.
English National Opera's accounts for 2011-12 show a £1.2m fall in ticket sales set against a £1.4m increase in cash spent on productions and a drop in its Arts Council grant. The results 'reflect the cut in ACE funding in 2012 and the impact of a very difficult economic environment on ticket sales', says the company.
The Royal Opera House has announced its plans for new opera until 2020, building to a series of four full-scale new commissions inspired by questions developed with philosopher Slavoj Žižek, and including new projects with the Guildhall School of Music and Drama, Aldeburgh Music, Music Theatre Wales, Opera North and Sound and Music.
In a new year honours list dominated by sporting personalities, a number of figures from the classical music world were also recognised, including CBEs for Ruth Mackenzie, director of the Cultural Olympiad, for services to the London 2012 Olympic and Paralympic Games, and Michael Berman, chairman of the Southbank Sinfonia, for services to music and philanthropy.
Venu Dhupa, Creative Scotland’s director of creative development, has resigned from the body just weeks after chief executive Andrew Dixon also gave notice of his departure. The body has come under sustained criticism in recent months over new funding arrangements, management style and its corporate ethos.
Sarah Alexander is chief executive and artistic director of the National Youth Orchestra, which has become the first organisation to win the Queen’s Medal for Music (first awarded to Sir Charles Mackerras in 2005). The medal ‘celebrates the NYO’s longstanding commitment to nurturing the talent and potential of Britain’s teenage musicians’ and was presented by the Queen on 5 December at the Barbican.
Ravi Shankar, the sitar player and composer described by George Harrison as ‘the godfather of world music’, has died at the age of 92. He was a three-time Grammy award winner and collaborated with Philip Glass and, extensively, with Yehudi Menuhin
The newly installed Lord Mayor of London, Roger Gifford, is not only a long-serving banker (head of the UK branch of Swedish investment bank SEB since 2000), but also chair of the English Chamber Orchestra and a keen amateur musician: he has been a member of the Holst Singers, Tallis Chamber Choir and Choir of the 21st Century and is a member of the Worshipful Company of Musicians.
Edmund Finnis’ Four Duets for clarinet and piano has been commissioned by clarinettist Mark Simpson for his Martin Musical Scholarship Fund recital at the Royal Festival Hall on 8 December (one of 15 such recitals by young professional performers over the next 8 months).
English National Opera has contracted brand and sponsorship agency Capitalize to develop its corporate partnerships and sponsorship opportunities ‒ with naming rights to the London Coliseum, ENO’s home since 1968, potentially available to the right bidder.
Sir John Tomlinson has over recent decades become one of Britain’s most distinguished singers both at home and abroad. He will reprise the title role of Harrison Birtwistle’s The Minotaur at the Royal Opera House in January and has just completed a run playing Hagen and Hunding in the ROH’s Ring cycle.
Composer Alexis Kirke is a member of the Interdisciplinary Centre for Computer Research based at Plymouth University and composer in residence at the Plymouth Marine Institute. He has been commissioned to write a new work for the opening of the Marine Institute’s new building, which features the most advanced wave tank for research in the UK and will be opened by the Duke of Edinburgh on 30 October. Kirke has written a new piece, SoundWave, which uses the tank’s ability to produce precise waves of different intensities, a team of water drummers who will play the surface of the water with their hands in the tradition of the central African Baka tribe, and synthesised sounds programmed by composer Sam Freeman. Kirke will be involved in the 2013 Peninsula Arts Contemporary Music Festival 22-24 February 2013.
Described by its composer as ‘a back-of-the-truck bare bones opera’, John Harbison’s Full Moon in March has a libretto adapted by the composer from WB Yeats’ A Full Moon in March, and tells the story of a queen, a swineherd and the failed courting ritual between them. It receives its EU premiere on 24 October as part of contemporary music group Lontano’s festival of American music (22-27 October) with the Queen played by mezzo-soprano Caryl Hughes, the Swineherd by baritone Jeremy Huws Williams and two attendants played by soprano Charmian Bedford and tenor Edward Lee.
Following the publication of a highly critical open letter sent to Sound and Music and Arts Council England from 255 composers, performers and other music industry figures, a second open letter will be sent today, signed by 90 young composers ‘actively engaged in contemporary music in the United Kingdom’.