Rise of the robot pianos | Disklavier Concert

- 8 January 2014

‘Richter’s paintings have a very clear sense of reticence and anonymity; there is a tangible sense of distance. It might sound crude, but I wanted to explore the real graphical distance where the performance is forcibly separate from the audience,’ says Jim Aitchison, whose Portraits for a Study will breaking new ground in its 22 February premiere.

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